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Saith Gythraul releases new Death Metal "No More Am I"

“No More Am I” is not metaphor—it is possession made audible. Saith Gythraul presents a work rooted in occult domination, where the human body is reduced to a host and the soul to a resource consumed by an invading entity. From the first line, identity is erased, replaced by obedience to something ancient and malignant.

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The chorus functions as a spoken binding. “Within my shell no more am I” is a declaration of evacuation: the self has departed, leaving only flesh behind. The repetition of “seven syllables” and “seven beats” is deliberate and ritualistic, invoking numerological control and the structure of a spoken curse. These are not symbolic references—they are instructions, measured utterances used to cleave the soul and anchor the entity within the body.


Possession is described with clarity and brutality. “Demonic entity puppet host” establishes the relationship without ambiguity: the speaker is no longer an actor, but an instrument. The atrocities committed are not accidents or abstractions; they are “sown,” cultivated through sustained control. The “crimson path” is a physical trail left by acts performed under command, while the host remains conscious enough to witness the damage, powerless to intervene.


There is no redemption arc here. “In death’s embrace I’m lost” is not a threat—it is a condition already fulfilled. The line “atrocities sown a life defiled” acknowledges the irreversible corruption of the vessel, culminating in the final verdict: “Demonic puppet human lie.” Humanity itself becomes a disguise worn by the entity, an illusion maintained only until the body is exhausted.


“No More Am I” stands as a deliberate act of occult expression, confronting possession not as metaphor or horror fiction, but as annihilation of will. Saith Gythraul offers a song that reads like a ritual transcript and sounds like a spiritual execution—unyielding, unrepentant, and terminal.


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